Frazzle
Frazzle you little devil you. Yes I’m talking to you. Why can’t we just get along?
Frazzle you little devil you. Yes I’m talking to you. Why can’t we just get along?
Ice cream is about as close to the divine as a grocery store ever gets. Its consistency, chill, and creaminess are near to perfect, whatever one’s favorite type or brand. Even at it’s worst, ice cream is pretty good. When I encounter those special attributes that cater to my tongue, memory and desire it steps up to fabulous.
A double-dip cone of maple nut ice cream from Bridgeman’s took me to my summer graveyard factory job each night in
When I fell from marriage, home,
bland feats of life-as-I’d-known-it,
coupled-into some twenty-plus years ago,
suddenly everything was a question again.
What is? What isn’t?
All my assumptions broke into pieces:
sharp; slithery; and none-too-shiny.
Portland spoke through my ticklish in-step.
She pressed into the soles of my feet with
rose-and-tumble acceptance,
as I skirted puddles known and unknown.
Restless possiblity swayed along my sides
while Portland steadied my stride—“It’s ok.”
Who knew that asphalt could be a tender touch,
that this patient, old-friend town of mine
would roll out padding and take me easy,
while the stuffing in my head blew ‘round
many cups of coffee: many thanks, Portland.
The great hall at
Voices trapped in air currents swipe my ear, my memory and my imagination. They brush my eyes or my nostrils, and suddenly, the indelible media of song and spirit rush out. I feel the trials and joys, the courage and fears recorded there. The more these voices catch me, the more I crave their stories. I don
The stories transcend time and technology. I listen to the wind for epics that blow across plains. I touch the earth and feel the hoof beats of settlers. I soak in the river that bathes the heron and native bones.
Fondling tea cups stained with gossip and advice, I hear shuffles, accents and laughter of women I know, yet I’ve never met. Thumb-prints entice; are they mothers, maids or visionaries that twist canvas, stitches, stone, and glaze into beauty
Sometimes they weigh me down, the promises duty binds upon me and the gifts I can never repay. Those days, I am haunted by history, especially the dreams stolen from young dreamers. I cannot avoid the stench of camps where emptiness crushes the spirits of millions in the machinery of fear. I feel wooden and unworthy.
Other times these bygone days tingle in my nostrils and lift my wings. They charge the hair on my neck and drive the balls of my feet into ground. My pliers easily bend the next link of chain. I fill the song with my voice. My chest heats with wonder and the future shines, illumined by the past.
hear Backlighting
“Both poetry and prose comprise this book (About Love: the bittersweet heart.) Even in her prose, Feder writes with the lyrical soul of a poet. Consider this from the prose piece called Passion: I enjoy this sweet, erotic, love-soaked slant on the fleeting light and last roses of fall. And I’m grateful to you for making me the lover I’ve always wanted to be: received; expansive and cherished. I’m surrounded by fountains of discovery and rediscovery; source and subject of so much passion.“