Miriam Feder

collections


Manhattan Christmas

Enjoy the food, the drink, a few presents and most importantly–one another.

“Tomorrow you can see Diana’s new piece.” Diana lives next door to my hostess and she’s a Liturgical Choreographer, whatever that means. Delightful—a free dance performance in Manhatten.

On Sunday morning I head off on foot through Central Park to the Church where the performance will start at ten. Ten a.m. seems an odd time for a dance performance.

The wind is especially wicked, whipping my unsuspecting flesh through my gloves and past my lungs. Although I’m in my twenties, I’m gasping and teary-eyed. Mind you, I’m no winter wimp. In college, I walked that evil bridge across the Mississippi many many January Minnesota nights. My Chicago mile-to-school-up-hill-both-ways stories are in mothballs for future grandchildren. Cold weather in Manhattan is different, though—it’s windier and lonelier.

I’m wearing just about everything I brought to New York. The duck-hunter’s ugly down vest is poochyand brown long before either were fashionable. The black wool coat weighs me down and twists around my legs in the wind. I might as well have left my jeans and long underwear at home for all the good they do me.

Central Park is empty. I endure it and don’t see a person until I’m heading south on Park Avenue. He’s a mid fifties sort of guy in a black-diamond mink coat walking a well-dressed Airdale. Steam rises from both of them; I am invisible. That’s ok, I’m relieved to be walking measurable blocks alongside buildings. I can think about my destination rather than Jack London endings.

Oh I noticed that mink coat, all right. And the gracious buildings and classy cars. Sexy ladies from the eighties, hunh? I wonder if this might not be a fancier affair than I contemplated?

It’s Sunday morning, two weeks before Christmas. Am I heading toward a church service? Is this some special sort of day? I bet it is. Suddenly I notice a swarm of limousines at a large building in the next block.

I’d never go to my own religious services dressed anything like this, even if it wasn’t a special holiday season-sort of day. But here I am and it’s too cold to walk away. Besides, it’s all about the dance.

The limos and taxis discharge snow white winter suits, ermine collars, cashmere, sparkling hats, and pearls. The rabble wears mink. What was I thinking?

I get caught in the swirl of entry into the gracious old church building and head toward the front. I haven’t come this far not to see the choreography. I skip the first couple of rows in case there is some special obligation. I get a good view from a third-row seat.

My ermine-trimmed neighbor and I exchange greetings. Everything matches. It’s warm.

Oh to be one of those people who sit wrapped-up in her coat. But in my world it was rude and unwise to stay coated indoors. Too bad, I almost could have passed. The panels of black Forstmann wool are by far the best part of my outfit and my raggy jeaned legs would be mostly hidden. But now that I’ve stopped throwing my body against the wind my cheeks sting hot, hands turn red and I might pass out. The coat comes off and I stuff the vest under a pew.

I am the lost last-decade hippy chick, au too naturelle. Maybe there is something remotely charming in the ragamuffin’s struggle through the cold to worship. And, for all its ermine, a congregation that has half-nude modern dancers and a string quartet on its alter in 1978 must be fairly enlightened.

Enlightened perhaps, but my neighbor is also intent on seeing that I sing my way through the service. Her pointer thrusts into my hymnal for the many follow-on verses of O Little Town of Bethlehem.

“Gratitude.” Yes, I’m grateful for the heat and that there’s no confusing kneeler or footrest. “Collection plate.” If I could have parted with money, I would have taken a cab. But smiles abound and I’ve settled into my role as the Crampet’s older headstrong girl.

Finally it’s time for the dance—my excuse for exposing these lovely people to me. I recall nothing. Some thirty years later, it’s my sense of ignorance and surprise, the warmth of the space and the tolerance of my neighbors—the true spirit of Christmas all around me—that I remember.

How silently, how silently
The wondrous gift is giv’n
So God imparts to human hearts
The blessings of His heav’n.

What Is Chanukah All About?

Chagall ChanukahWhat is Chanukah all about? Chanukah, my children, Chanukah is the festival of socks. Each year the great Bubbe comes to the foot of each child’s bed and takes a sniff.

“Och, gotenyu. What a smell. I can tell you need new socks, you little stinker.”

And so, all over the world, at Chanukah, children get socks to replace the old worn out and stinky ones from last Chanukah. So now you know! Now we understand our non-Jewish neighbors, who always like to borrow our traditions and adjust them just a bit, come to hang their stockings by the hearth. Their Great Bubbe goes in drag and has a yen for fireplaces. Do we have fireplaces? No. Who would chop the wood? Who would make the fire? But it’s good for the Goyim. So socks connect us all with a sense of the warmth of the season.

Chocolate, my children, we celebrate Chanukah to appreciate how good the world is when there are eight days in a row of chocolate at our table. We have chocolates to share, to give and most importantly to eat. We even have chocolate to drink-noch. We make chocolate into money and gamble for it with our dreidels. If we are very lucky we get many Gimmels. Gimmels are for great—a great miracle happened here. Of course I’m right—I just won all the chocolate. Ante up so I can spin again before my dreidel cools off.

And why is chocolate so important? It’s the most delicious thing of all. It is rich and warm. It can be wrapped in beautiful paper and please the eye, even the eye of a grumpy Shin spinner. It gives you energy. It’s energy and hope that make you spin again and again and eventually you might get at least a Hay and split the pot. Chocolate makes you sweet on the inside, which makes you sweet on the outside which makes the world sweet.

Nuts kinder, nuts. This is what we want on Chanukah. The earth has given us nuts of the season and we use these to play and play with our dreidel. Nuts of all kinds, with their pretty little wooden homes. Round mahogany homes for filberts, thin crowded pecan shells crammed with sweetness. Stout comfortable walnut shells so that walnuts may play Chanukah games before they serve as Charoseth next Pesach and even dark crinkly homes for Brazil nuts, full of oil, like our beloved lamp.

Oh but you must think I am silly to forget the star of the whole show, quietly waiting in the dark for me to notice—our humble and most-dear Chanukah friend—the potato. The potato gives it’s all for Chanukah, allowing it’s pale flesh to be shredded, and stirred with eggs and onion and ladled into hot grease, flipped on it’s back, splashed with sour cream or applesauce (ok, you can have both) chewed and swallowed and maybe even some day soon, digested. This gentle giant promises all year long, reminding us how much we love Chanukah for the excuse to make latkes, for the better excuse to eat latkes, and for all the oil we can consume with each latke. And this, this little potato, really this is the secret of Chanukah. How the perfectly ordinary, so common among us, shines with greatness in the lights of hope, happiness, family, food and song.

What? You say Chanukah is not the potato, not the nuts, not the chocolate, not the warm snuggly socks? You’ve got to be kidding. Not even the beautiful menorah all bright with her warm candles? Songs—are you sad because I forgot the wonderful Chanukah songs where everyone knows the first two lines and hums the rest slightly out of tune? Is that what you think?

Oh, no. You think it’s us? Me, and the children, and our friends, and the guy I work with, and my neighbor, all gathered around the menorah while I look for the matches, turn down the soup that’s boiling over, flip the latkes one last time and finally make the brocha. You think that’s what Chanukah’s all about? Well, maybe you’re right.

 
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Thanksgiving

fallpicsmThanks for a big brown bird, soft and crunchy stuffing, sweet yams, a tart cranberry relish and ample bottles of wine. Thanks for a fresh green salad and don’t mind if I skip the smashed potatoes, rolls and that baked broccoli-cheese traditional. Who would notice?

Thanks for bringing this group together year upon year, through marriages, visiting parents, babies, toddlers, widowed mothers, t’weens, divorces, rearrangements, and— for some time now— only one Grandma left. Maybe sometime we’ll be the grandmas. Will that add to or take away? Yes, well, don’t anyone hold their breath.Thanks for all the spills, the misses, and fine nights of charades.

This is what my Thanksgivings have looked like for most of thirty years. A tight and cozy table at a friend’s house with once-a-year linen and platters upon platters. It must have been a whole year between each one of these food-a-thons, but I’m surprised they add up so high.

Thanks for good fortune in our own lives. We’re fortunate that our sadnesses have been transitory: real but not chronic. Long suffering has stayed distant from this table. Death has come only for the older ones.  We’ve come to know that’s not always the case and so we’ve grown so very grateful.

Our children…they already grew up so fast. Now that we see the rate of spin, we know their lives will fly right by at an increasing rate. We know that the next ten years might have some harsh surprises for them—for us. No rush, no rush—but no slowing it down.

Take a few moments before dessert. Take a basket, choose teams and try to recollect the movies ofthe year, the book titles nobody read and the songs that separate the generations.  Let me hold onto this enormous good and gather in all the smells and tastes, the warmth and the story, the hopes, the disappointments and the familiar smiles. Let me taste them like another course, no matter how full I am. Four and twenty lifetimes baked in a pie. Yes sir, yes sir, three bags full.

 
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Only In America

That knee-jerk patriotism was taken away from my generation in our youth.  But the world teaches us about America. In Print

 
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Star Stud

small heart

I’ve come back to this very romantic piece for Valentine’s Day.

We barely knew each other, but it was time to celebrate his birthday. So I suggested a trip to the coast? What location held more promise, energy, escape?

The atmosphere was so charged just checking into the hotel. I hadn’t checked into a hotel with a man other than my ex in over 20 years. There was a king sized bed, a hot tub, and him and me and hours and hours of us.

Just after midnight we finally dragged ourselves out of bed and down to the beach. I’d heard something about the Leonid meteor shower. No one would count on a clear sky at Cannon Beach, but there it was, black velvet sparkled with stars everywhere– and then they started to fly. They shot from the foreground to the background, across the sky in wild arcs, low to high and back again. They fired at Haystack Rock in the Pacific. The trusty monument was surprised to hand over its glory to the coastal sky, finally free of her chinchilla stole and busy staging the best light-show in the world.

The half-dozen of us strung across the wide beach bonded in ecstatic exclamations. We spun around dizzily to catch the action. The sky wasn’t still for a moment. My birthday boy knew all the constellations by name, distance, and location. He was a fabulous guide to our sparkled travels that evening: twisting, turning and gasping in the excitement of it all. Some hours later, we finally gave it up, although the show went on and on.

I learned since that nature does not speak in signs, metaphors, allegories or favorites. That brilliant display had nothing to do with our brilliance, suitability, or the destiny of our love, however much I wanted to believe it. Romance, like everything else, looks for confirmation. And what could be better than this amazing night with my star stud. It was fantastic and for awhile, it sparkled our shiniest points.

 
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Manhattan Christmas

Enjoy the food, the drink, a few presents and most importantly–one another.

“Tomorrow you can see Diana’s new piece.” Diana lives next door to my hostess and she’s a Liturgical Choreographer, whatever that means. Delightful—a free dance performance in Manhatten.

On Sunday morning I head off on foot through Central Park to the Church where the performance will start at ten. Ten a.m. seems an odd time for a dance performance.

The wind is especially wicked, whipping my unsuspecting flesh through my gloves and past my lungs. Although I’m in my twenties, I’m gasping and teary-eyed. Mind you, I’m no winter wimp. In college, I walked that evil bridge across the Mississippi many many January Minnesota nights. My Chicago mile-to-school-up-hill-both-ways stories are in mothballs for future grandchildren. Cold weather in Manhattan is different, though—it’s windier and lonelier.

I’m wearing just about everything I brought to New York. The duck-hunter’s ugly down vest is poochyand brown long before either were fashionable. The black wool coat weighs me down and twists around my legs in the wind. I might as well have left my jeans and long underwear at home for all the good they do me.

Central Park is empty. I endure it and don’t see a person until I’m heading south on Park Avenue. He’s a mid fifties sort of guy in a black-diamond mink coat walking a well-dressed Airdale. Steam rises from both of them; I am invisible. That’s ok, I’m relieved to be walking measurable blocks alongside buildings. I can think about my destination rather than Jack London endings.

Oh I noticed that mink coat, all right. And the gracious buildings and classy cars. Sexy ladies from the eighties, hunh? I wonder if this might not be a fancier affair than I contemplated?

It’s Sunday morning, two weeks before Christmas. Am I heading toward a church service? Is this some special sort of day? I bet it is. Suddenly I notice a swarm of limousines at a large building in the next block.

I’d never go to my own religious services dressed anything like this, even if it wasn’t a special holiday season-sort of day. But here I am and it’s too cold to walk away. Besides, it’s all about the dance.

The limos and taxis discharge snow white winter suits, ermine collars, cashmere, sparkling hats, and pearls. The rabble wears mink. What was I thinking?

I get caught in the swirl of entry into the gracious old church building and head toward the front. I haven’t come this far not to see the choreography. I skip the first couple of rows in case there is some special obligation. I get a good view from a third-row seat.

My ermine-trimmed neighbor and I exchange greetings. Everything matches. It’s warm.

Oh to be one of those people who sit wrapped-up in her coat. But in my world it was rude and unwise to stay coated indoors. Too bad, I almost could have passed. The panels of black Forstmann wool are by far the best part of my outfit and my raggy jeaned legs would be mostly hidden. But now that I’ve stopped throwing my body against the wind my cheeks sting hot, hands turn red and I might pass out. The coat comes off and I stuff the vest under a pew.

I am the lost last-decade hippy chick, au too naturelle. Maybe there is something remotely charming in the ragamuffin’s  struggle through the cold to worship. And, for all its ermine, a congregation that has half-nude modern dancers and a string quartet on its alter in 1978 must be fairly enlightened.

Enlightened perhaps, but my neighbor is also intent on seeing that I sing my way through the service. Her pointer thrusts into my hymnal for the many follow-on verses of O Little Town of Bethlehem.

“Gratitude.”  Yes, I’m grateful for the heat and that there’s no confusing kneeler or footrest. “Collection plate.” If I could have parted with money, I would have taken a cab. But smiles abound and I’ve settled into my role as the Crampet’s older headstrong girl.

Finally it’s time for the dance—my excuse for exposing these lovely people to me. I recall nothing.  Some thirty years later, it’s my sense of ignorance and surprise, the warmth of the space and the tolerance of my neighbors—the true spirit of Christmas all around me—that I remember.

How silently, how silently
The wondrous gift is giv’n
So God imparts to human hearts
The blessings of His heav’n.

 
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Allspice

In Print

Sugar and Spice

fallpic.jpg This is my holiday greeting this year–a celebration of the sweet spices that find their way into so many winter treats. Happy nutmeg, allspice, ginger, cinnamon, clove and anise. These spices go so well with sugar, chocolate, red wine, conversation and coffee. Stay sweet.

 
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Musings on Freedom

My Father always presides at the Passover Seder in my head. He would remind us that this is our annual opportunity to leave the petty slaveries we create or allow behind us and to be and live our best—a good lesson, whatever your tradition. On Passover we tell the story of the 4 generations of children– the wise, the wicked, the simple and the ignorant–and how to pass along our heritage to each of them. We can usually find a piece of our self in each story.

 
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