Miriam Feder

collections


Booking Information


Bring one of these shows to your non-profit’s fund raiser or friend raiser.

 

·         Big Words:  a kaleidoscope of follies enticing the heart and teasing the mind

This show runs about 1 hour. It goes from Mother and Father to Time and Love.  How did these easy words get so complicated?

 

·         About Love: the bittersweet heart

This show runs about 40 minutes. It ranges through the different kinds of romantic love and includes Rubber Top—a musical review of the condom.

 

·         The Vestibule: life, love and tears through the midlife lens

This show runs about 50 minutes and looks at entering the stages of life from our own protective cover—The Vestibule.

 

or let’s talk about customizing a show for your audience.

 

These shows travel easily and spark good discussion (stage is optional.)

Please contact me about performing at your fundraiser, friendraiser or other event.

 

Press Clips and Reviews

About Love: the bittersweet heart

The bittersweet heart isn’t a downer. It’s focusing it’s lens on “love past the bursting of passion in each artery wall and sticky bit of skin. Love past the years–that lasting, longed-for, whole adult love…”

About Love is a gift book and a 40 minute show that tours easily. Here are some pictures from the February debut at HipBone Studio in Portland.
Love According to ExpertsRubber Topadmiring-mort-250.jpg

Booking Big Words, The Vestibule or About Love

I’m looking forward to scheduling performances of these shows in Portland and out-of-town.  If you have ideas about possible performance venues or dates please contact me.

The Vestibule

The Vestibule: life, love and transition through the midlife lens includes these pieces :

  • Backlighting
  • A View from the Stutthof
  • Read Herring
  • Saltwater Tap
  • Recalibration
  • Mortality Smacks
  • Computer Dating
  • Who Gives a Fuck?
  • Chart Notes
  • Where’s the Bitch

The Jewish Review: 10/07

“Her stories explore life experiences common to most of us, but with an order of sensitivity in a near poetic voice that finds the extraordinary in the ordinary passages of one’s life.” an excerpt from a feature article on the Arts about Miriam, published in The Jewish Review , October 2007.